I’ve been overly emotional of late. It sometimes annoys me but it sometimes makes me feel like I am at my best. I am crying if it’s too bad or too good, and I am simply not giving fake smiles or hugs any more. That generally goes for my reviews and sentiments so consider this particular blog heartfelt.
A couple of Fridays ago, I was a little heartbroken – to attend Just A Band’s Wrap Up concert. Nairobi’s coolest electro-pop and funk band just announced that they are wrapping things up – well, till further notice. Blinky, Mbithi and Muli are such cool multi-talented human beings, as if being a member of JAB was never unique enough. Throughout JAB’s career, they have shown versatility with each member exuding aesthetic in everything they touch.
On the musical spectrum, no other Kenyan band oozes the fresh cool vibes that is JAB. You should see the kind of crowd they pull. It’s not just in how they sound but in their style; from how they walk, talk and keep calm. It’s even in their choice of naming albums. When JAB’s debut album: Scratch to Reveal came out in 2008, it was as if clairvoyant of what would become of the telecommunication industry of Kenya (the rise of Safaricom and Airtel airtime scratch cards), and at the same time a renaissance of the charity sweepstake scratch card days. Their second album: 82 (2009) birthed the single Ha-He whose video went viral establishing JAB’s brand as Kenya’s most unique musical exports. Their third album Sorry for the Delay (2012) was an ode to their fans appeasing them for the hiatus. Most of their videos flaunt stellar direction and cinematography. The message and videos of songs like Usinibore, Matatizo and Winning in Life show that JAB music has a lot of depth.
The trio DJ too. They also have a book out! Just A Book They have hosted several art installations across the world, adding to their illustrious global travel and tour escapades. JAB could have easily been another cool European or American band, but I even feel bad imagining that because no other band (maybe apart from Years & Years) can come close to JAB cool and I would hate it if they weren’t Kenya’s own.
Like a butterfly’s transformation from a caterpillar – has been the careers of all of JAB members. Starting out as the silent deep husky-voiced co-producer and JAB’s lead singer, Blinky now speaks out a little more, produces way more for himself and others. He is also a TED fellow and an RBMA Alumni. I feel like Mbithi’s cinematography hasn’t been celebrated enough. Among many other awesome things, he co-edited the viral Ha-He video with Jim Chuchu and shot such beautiful videos for other artistes including Kavi and Mayonde. Muli is just the biggest little secret we all need to uncover. Just give him a blank piece of paper, and pencil and see what kind of caricatures he can craft in just seconds. Former JAB member Jim Chuchu is the baddest photographer and video director in same measures, I know of.
Why would they wrap up things on such a high? JAB can’t wrap up things yet because it’s time for us to hear a Blinky album, watch more Mbithi films, videos and documentaries; and read and marvel at Muli’s amazing comics and graphic novels. That “last” JAB concert was literally the hottest concert I’ve been to. I don’t think Goethe-Institut’s auditorium was the best venue for JAB’s final bow, plus the venue has bad acoustics and ventilation.
Despite the experience being marred by bad sound and extreme heat, sweltering in sweat – I was the happiest human being to see and be part of JAB’s real Day 1 army. We chanted and sang to all songs together. At one point, it felt like we all were real friends and knew each other. It kills me to imagine a hiatus from these cool people, both JAB and their fans, but as a friend and fan it gives me gratification to allow JAB to be. I can already hear sounds of JAB’s new album
Meeting the legendary Congolese sokous artiste Koffi Olomide, thanks to Koroga Festival, during his recent trip to Kenya was magical and surreal. Koffi is also a dancer, composer and producer, boasting several hit singles including the recent viral video: “Ekotite”.
I had so many questions and such little time with him that I decided to have more of a conversation other than an interview with him. We start by him marveling at my height. “You are almost like my daughter Didi.” After which he quickly opens his Instagram and shows her off, asking me, “Don’t you know my daughter? She’s a model. Don’t you follow her?” Of course I start to follow. At the end of the interview he is the first to ask to take a selfie with me
You are a joker if you live in Africa and you don’t have a Koffi story or don’t remember Koffi’s older music fondly. Growing up, Koffi Olomide, Yvonne Chaka Chaka and Papa Wemba, among other African legends, were the soundtracks of our home and household.
I noticed that there was something special about Koffi from a tender age because of the kind of people around me that got down to his music. His fans ranged from me – to my mother, father, older sisters and young uncles. It was not normal that this one man appealed to such a stratified audience.
I will never forget joyful parties at home, when my father was still alive and the life of the party, seeing my aunties confidently shaking their fat asses to Koffi music, as beers and loud music blasted ruled our evenings. It was almost OK to go insane and break a bone, as long as it was Koffi music. I caught onto dancing much later in life, so as everyone was dancing I was always keen to notice Koffi’s attires and that of his troupe of dancers.
I always wondered how much he spent on costumes and the same time always marveled at his genious. With time, I started following up on popular African culture and in music very few alive, Koffi being one of them, have shaped the Lingala and Sokous genres.
Koffi was really glad to hear that my mum influenced my love for music, and insisted on inviting her to his concert. Our 5 minutes together was fun and actually felt like an hour. Listen in as Koffi reveals that he’s got some Nigerian blood, shares all his names and the secret to why he still remains popular and relevant, years later.
I have finally been featured on DRUM East Africa Magazine! I don’t even know where to start explaining to you how much being featured on DRUM means to me. Because I work with celebrities and superstars, people must think that this kind of thing is ordinary for me – well, it’s not and here’s why.
As a Publicist or PR person, you are constantly obsessing over how your clients, and brands you manage can get attention and be out there as much as possible. Last year I realized that for many years I had pushed other brands but hardly done the same for myself. However, I figured that at the end of the day it will always be a win-win situation because behind every successful brand is a PR manager or team.
Growing up in Molo, a small town close to Nakuru, my dreams were pretty simple. I just wanted to be successful. I never really envisioned myself becoming a celebrity Publicist. Seeing my friends Sauti Sol excel and be part of their success as it is today, and working with other legendary artistes like Stromae, Tubaba and Cobhams – to me – is just a bonus. Through my TV career and travel tales, meeting and interviewing artistes like D’Angelo and Anthony Hamilton, whose discography shaped my musical tastes, has been so gratifying.
When you have done all these things that you had never even dreamt of, it slowly starts to dawn on you that you have grabbed the bull of your life by it’s horns. With time, I started knowing that I had made change for myself, first, even before that of the artistes and colleagues I have worked with. I started to realize that through my specialized PR practice, I had started something that continues to pave way for serious young professionals in PR and journalism as a whole. I am honoured every time someone notices me and says, “I love the work you do with Sauti Sol” or “I really enjoy your TV show”. I always tell them, and I will say it here – there are so many challenges working under the scrutiny of the public that when someone says those kind words to me – that’s all that matters at the end of it all.
For all these thoughts, I always felt like I had a story to tell. I always feel like I have a story to tell. I am always stoked to receive a phone call with the person on the other end wanting to interview ME. That’s because I am the one always making these calls. When they say to me, “We would like to interview You” I always countercheck, “Me or Sauti Sol?”
I was always waiting for True Love or DRUM, the only two proper magazines for a modern Nairobian lady like me, to call me for an interview. I always read inspiring stories on there and felt that mine too would have been worthy. When I finally got that phone call, it was such a pleasure. The feeling I got when I saw myself in the magazine, and read the interview and ascertained that it was an accurate account of every single word I said, was priceless. When I shared with Sauti Sol, Bien said and noted, “Congrats – from Molo to here.” That’s when I recollected this whole story.
Some people want to take credit for my success or growth but today I want to make it very clear, I am responsible for myself, and God knows I work hard for me, first. You must start something for yourself. While at it be ready for the haters and people who will discourage you. Find your own passion and drive, be open to criticism, growth, challenges and disappointment – what I have learnt so far.
“Music to me is life. I breathe and eat music. I don’t know if I can survive without music – after God and water,” says 27-year-old Nigerian hip hop artiste Olamide Baddo before daring me to check his bag to confirm that he always carries a Bible with him. I don’t check. He says that he also loves Drake, Jay Z, Mali Music and “almost anything”.
The name Olamide in his Nigerian dialect means ‘my wealth has come’ which only prompts me to ask him if his has indeed arrived. “We are almost there,” he jests, adding, “Too much money is never enough money. The more money you have, the more responsibilities you have to take care of. I have so many things.” My trying to get more details pertaining his responsibilities hits a dead end.
In a tough music industry, Olamide has emerged as one of the illest and most popular rappers in Nigeria. It might have a lot to do with the fact that he records mostly in Yoruba. Fans love that he stays local. “I will never forget I had a show in the East Coast of Nigeria and an artist brought an art work of me and the size was very big. He came to Lagos just to deliver it to me and let me know that he appreciates my music and he didn’t expect anything from me,” he recalls.
Olamide’s delivery in rap is fierce like a dragon spitting fire. “From a tender age I always knew that this is what I wanted to do. My family and mother have been very supportive but my father wanted me to finish school first before I started music but I couldn’t listen [because] I was crazy about my ambition.”
In 2012, Olamide founded his label imprint: Yahoo Boy No Laptop Nation (YBNL). The independent record label is home to notable young Nigerian pop artistes: Lil Kesh, Adenkule Gold and producers Pheelz and Young John—YBNL soldiers. He says, “I do employ people to supervise projects [but] I scout YBNL artistes myself. Everybody should look out for Adenkule Gold that’s the next big thing.”
Undoubtedly one of the most prolific African artistes in their prime, Olamide has produced an album each year since 2012. I wonder what’s it like to keep up with being Olamide? “I have to put out content within the year properly, bring my A-Game to the table all through the year and make sure I do the right collabos.”
I meet Olamide in Nairobi during my stint as Publicist of Coke Studio Africa season III. On the show, he is paired with Mozambique’s Marabenta Queen Neyma. Her twerking skills were on another level. “I used to dance so badly so I stopped but as you can see I am putting in work. You’ve seen us give you Shoki and Shakiti Bobo,” he says, adding, “Bobo is like a guy – like my hommie. The song is talking about being successful in life. If you want to be successful in life you have to live out of the box. You can’t be doing what everybody else is doing and expect to get the same results.”
Olamide loves Nairobi. “Kenya is a very chill place. I love the hospitality. The girls are very nice and the guys are cool but I love the girls more. Kenyans love hip hop music and that always reminds me of my beginning,” praising the Kenyan singer Fena whom he was paired with on the show’s second season. “She is hip hop in a way and she adds soul to her music.” In the middle of our conversation, he stops to appreciate a friend’s anatomy. She is passing by. Hilarious!
Even though it’s been a long day at rehearsals, Olamide is so chill and patient. I want to know if this is who he really is. “You can’t fake such things, people who know you from Day 1 will know you are faking it. People who know me know that I am real” By the end of this interview we are having a great conversation, I even forget that this is an interview. What’s your style? I ask him. “I am actually not a fashion person, I am just a crazy-ass nigga I rock whatever I feel like rocking. It depends on my moods. You can see me tomorrow and I will be rocking my jalabiya. I am that crazy.”
Baddo touts 2 Baba as his favourite artiste and says that he would love to work with Jay Z. “I want to conquer Asia and America,” he asserts. Olamide says that a new album might be dropping in 2016.
Fresh off winning Best Actor in a Comedy (Movie/TV Series) at the 2016 Africa Magic Viewers Choice Awards, Falz just dropped a full-length movie of his song Soldier featuring fellow Nigerian singer Simi. Yes, movie – you read that right. Falz freaks me out. How can one person be so multi-talented? He’s a damn great singer, rapper, comedian and actor.
When I first heard Falz’s 17-track album: Stories that Touch (2015), it was tough to pick standout tracks because the whole album is classic. However, Soldier featuring Simi was definitely one of my favourites. Even though Falz and Simi sing in pidgin too, anyone can easily follow the storyline of the song. We don’t hear songs on the love lives of soldiers everyday. Nobody sings about the hustle it must be to date a soldier or a policeman. When Clap video came out in December, it’s originality made me wonder to myself what kind of video Soldier would have because I loved the song’s theme and the chemistry between Falz and Simi. I knew they would kill it. I also knew that fans would love to see the duo reunite on TV, since Simi’s music video of Jamb Question featuring Falz.
The short musical film shot By Clarence Peters is plain brilliant and dope, even though the storyline is basic – the typical ‘girl acting up then boy saves her’. The level and quality of production/acting however is way above 100%
We already knew that Falz is an award-winning actor, making Simi the superstar of this musical. When Falz returns from town, she starts with her attitude. When he stalks her to her classroom, she can’t seem to decide what to do – why her friends trail her conversations with Falz. So true and typical of African relationships. When you date an African lady, you are literally also dating her friends and family.
Surprisingly, the turning point of this film for me isn’t even when Falz ends up saving Simi from the bad guys (Ahhhhh – see what I did there but when he storms her home and Simi’s mother comes guns blazing. Simi has to act in favour of her man and her mother at the same time. I applaud this lady’s acting skills. Clarence Peters has outdone himself with this story, casting and editing. The militia rebels were really badass. I also loved the score. Certain spots were subtle and easily unnoticeable but very necessary. Listen to 11:15 right after the scene with Simi’s mother.
Without a good song, you can create a great video nevertheless. Soldier however is amazing and one of my favourites off Falz’s album mainly because of its unique story. I can watch the full video severally. In the music video, Falz and Simi completely bring to life that love-hate feeling we all experience in relationships from time to time. I love where they argue in the market area and he literally makes it rain money. Still she warns him not to fall in love, “Is this a military regime?”
Soldier film reminds me of R. Kelly’s closet videos. I used to wonder who else would have balls (no pun intended) to film those kind of long clips in place of music videos. I applaud Falz’s 14-minute effort. This has set the pace for African artistes. I am sure others, especially Nigerians, have done this before but very few have been on point while maintaining the delicate balance between the song’s message versus the authenticity and originality of an artiste, while at the same time avoiding monotony. I love Falz. Haven’t heard or seen him do any wrong.
Meeting and working with Tu-baba, the iconic Nigerian singer/songwriter also known as 2Face Idibia, is hands down one of my career highlights as a Publicist. About a decade ago, a time when I wouldn’t even imagine meeting Mr. Idibia, Nigerian music was synonymous to 2Face. I remember that time fondly as one of my aunts used to live in Nigeria and the only export I would always ask for when my cousins would return to Kenya was 2Face and P-Square albums. They would always squeeze in other great acts at the time like M.I, D’Banj and Naeto C. Amazing how today’s greats wouldn’t even fit in this blog post.
As fate would have it I would meet 2Face on the set of Coke Studio Africa last year during my stint as the show’s Publicist. Before that I actually met him soon after his arrival in Nairobi at his exclusive welcome party. Agitated by my silly camera and the darkness at the club, one of his managers Frankie asks me what’s wrong. “I want to meet and take a photo with 2Face but my camera is shit and I don’t know where to start … We will be working together soon anyway,” I respond. He is quick to introduce me – and the rest is history.
On a fine evening, together with my colleague and good friend Abi, we sit him down for a one-on-one chat with his Coke Studio Africa fans via Twitter. In person 2Face is very patient, very humble, very attentive, sweet and super hilarious! I wish each and every one of his fans would get to experience this first hand. On a different afternoon, I sit him down after rehearsals for a small person chat. It’s been such a hectic week but 2Face seems quite relaxed and not bothered by this interview. I never crafted what I would want to ask 2Face on meeting because I can only imagine the number of interviews he has conducted. I decide to freestyle and make it brief. We talk about his new musical direction, passion for peace and secret to longevity.
I am a total sucker for his earlier classics; my best still being his second album Grass to Grace (2006). He has also done a number international collaborations with several artistes including Akon, Bridget Kelly, Mary J Blige and T-Pain. Then and now – 2Face still is one of the most celebrated and successful afro pop artistes in Africa.
From the start I identified his star power by the fact that despite his music going mainstream and pop, his composition and direction always remained original and true to his core R&B and Reggae with African influences. Some of my favourites off Grass to Grace include True Love, If Love is a Crime, No Shaking, Instance and I Dey Feel Like. I also really loved Ole off his debut album: Face 2 Face. 2Face’s latest album The Ascension dropped in 2014. He says of his transformation, “The Ascension is me graduating from my old pattern of doing music, I wanted to enter music that I am really comfortable with. Which is more of reggae and some of my traditional music. I am simply doing what I missed to do. The album The Ascension is an eclectic collection of songs that are African. Some songs I just did to cut across Africa.”
With most East African countries going through elections, it’s obvious that our artistes need to play a role in sensitizing youth and voters now more than ever. 2Face is quite passionate about promoting the message of peace, something he has done during Nigeria’s election period and continues to do over his free time. He says of his initiative, “Vote Not Fight, Election No Be War started with a million voices for peace – which was basically a cry for peace. I had to go to all the grassroots and meet displaced people and donate relief. We also did rehabilitation of changing the mindset of the youth who are prone to being used as tools for violence. During the election period, we stepped it up and went all the way out. My foundation’s motto is service to humanity – we try to make life good for all.” In late 2015, 2Face was crowned a Tafindan Kaduna (Peace Ambassador) of Nigerian Kaduna State. We actually missed each other during my December 2015 Lagos trip as he was always in between business and Kaduna State, but he was always kind enough to update me on his whereabouts.
Hailing from a humble background in Jos, Nigeria – 2Face remains one of the most bankable African artistes today. Throughout his career in music he’s evolved to also become a successful producer and entrepreneur. What has got you this far? I want to know. “I think it’s the grace of God because some things you can’t explain. I also try not to let the hype get to me [because] I know that before I was an artiste I was still known as me, so I always try to be me all the time. I just try to get work done and play when I can.” As for all 2Face fans around the Africa, here’s your special message, “My fans are the most loyal fans. They are the greatest fans in the world. I am loving the spirit of one love coming out of Africa and it is our generation that is changing that forever. May the children of our children continue to extend that spirit. Let’s bridge the gap so that in the future we will be speaking one language, there will be no demarcation but respect for every region.”
You can’t beat Navio’s worldview. Born, Daniel Kigozi, in Kenya, the Ugandan rap king schooled in Kenya and South Africa, lived in Zambia and holidays in Tanzania, among global destinations. Of late, he is constantly somewhere around the world thanks to his music tours and travel. “My Kenyan fans, unlike fans in lot of places in Africa, understand where I come from. I think it’s because I am born here so it’s nice to connect when I am back,” Navio says jesting that Kenyans on Twitter would kill him if he missed to come launch his new album in Nairobi this time as his last album had a Tanzanian and Ugandan launch. We are sitting by the pool area at his Nairobi apartment on his last day in Kenya. We have had such a tight schedule, running a media tour and producing an event – all in one week.
“I am the No. 1 hip hop artiste from Uganda and I do authentically Ugandan hip hop music,” says Navio. I like artistes and especially men who are confident and know their place in any circumstance. Meeting and working with Navio during my stint as Coke Studio Africa Publicist in 2015, and again this year for the Kenyan launch of his fourth studio album: The Chosen – left me feeling really like I am really The Chosen one. Like what’s not to love about Navio? I remember drooling over him while watching MTV back in the day. I digress – I meant to say, as a person Navio is so cool and easy to work with. His work ethic is at 100% No wonder he’s remained so focused and relevant in Africa’s hip hop scene straight up over the past decade.
There is something more to Navio than just your ordinary rapper. I can point out that he’s quite sensitive, mature and delivers killer freestyles (he can literally spit fire on any topic you throw at him, just as long as he’s in the zone). As much as I am his host, he constantly wants to know if I am fine and is never a bother. Working with him is something I’d easily get used to. But you will know that he’s still a typical rapper just by the show of his entourage. He is accompanied to Kenya by The Mith, Flex D’Paper and his videographer Shiloh; add me and my assistants at Anyiko – PR and my oh my! I wish I could record all presenters’ faces every time we walked into a studio. We were actually restricted from rolling as deep into a certain radio station, lol. But that’s what I love about Navio’s style and attitude – he’s so inclusive, and so are his people. Even though The Mith is himself another top Ugandan rapper, he’s here solely to support Navio. While at interviews Navio prompts The Mith to speak and is quick to introduce Flex D’Paper as “Uganda’s new kid on the block” when it comes to rap.
Before Navio embarked on his solo career, he was a member of the legendary Ugandan hip hop group: Klear Kut founded in late 90s. They are celebrated as the pioneers of Ugandan hip hop scene and its sprouting culture. The group originally comprised Navio, Papito, Abba Lang, JB, and The Mith. Among firsts, the group had the first Ugandan video to air on MTV. They were also the first Ugandan hip hop act to be nominated at Kora Awards in the categories of Most Promising and Revelation of the year for the song All I Wanna Know. A beaming Navio recalls the good old days, “We were the benchmark. Uganda always had people rapping but it wasn’t done professionally. Klear Kut came in and had a proper album launch that turned into a full on fiasco. We were equivalent to Kenya’s Kalamashaka at the time; a reporter once said that we were cut like a K- Shaka, were like Lost Boyz but with a refined vibe like Jay Z’s.” It’s great to see long time friends and partners Navio and The Mith still working and rolling together, despite the fact that the larger group is now defunct. Navio says, “We were young then but until today we are still friends. If the friendship dies then the group dies.” About a reunion – they never left. Navio confirms that a Klear Kut album is coming out soon with the title: Beast African with a new single called Let it rain.
Make sure you check out The Mith’s second album Destination Africa.
I just don’t understand why the East African music scene is sometimes so fragmented. There are hardly Ugandan rappers known in Kenya, unlike the case of their Tanzanian counterparts. This is despite the fact that Kenya and Uganda are geographically closer to each other. What boundaries have tied us?If indeed Kenyans or Ugandans have been tied by something, I wonder why few Ugandan rappers today make an effort like Navio, to specifically come to Kenya, to promote their music through events and media tours.
Something isn’t right.
According to Navio, among other things, language barrier has contributed a lot to this, seeing as just a handful of Ugandans speak Swahili, unlike the blanket case for the larger East African region. “As soon as you cross a certain line into Uganda, there is no Swahili or Arab influence so it’s Ugandan dialects only.” On the upside, Navio says, “Because of that, Uganda has an industry that fully supports itself and that’s why most Ugandan artistes sit thinking and waiting on their next shows in Uganda. As for me I am always thinking continental because my mind is open to outside influence. As Ugandans, we need to start branching out more to the rest of East Africa, and Africa. People are slowly starting to see us.” He is quick to name drop several Ugandan hip hop artistes I’ve never heard of. “60,000 people wave hands at their concerts in Uganda but as soon as you cross the border nobody knows their names but it’s something we are trying to change. I am not the last artiste you will know from Uganda,” he tells me.
Fresh from releasing his album’s new single: Throne featuring Kenya’s king Kaka – Navio’s other song with King Kaka: Rusha has already been ruling Kenyan airwaves. There seems to be no other secret formulae to breaking boundaries other than cross collaborations—something Nav knows too well.
From Uganda to Nigeria then UK, South Africa and back to East Africa, Navio’s Chosen album flaunts collaborations with some of Africa’s brightest hip hop artistes. They include Ice Prince Zamani, Charlie King, Keko, Kella, Izzo Business, Silvastone, Vamposs, Khuli Chana, AKA, Cleo and Maggz.
His most memorable experience while recording was his chance meet up with Tanzanian rapper Mr. Blue, famed for his disappearing acts and
unexpected recurrences. After seeing each other last as teenagers, Navio reunited with Mr. Blue recently at Tanzanian annual festival Serengeti Fiesta. The two would later record Ayaya – the album’s 10th song and about how East African men marvel at the beauty of women. I still wonder how Navio manages to say No to the ladies. He’s amused at my question, posing, “Why would you say No to the ladies? East African girls are beautiful and very respectful. So girls – keep being fans and supporting the music.” Another song Gbesile with Burna Boy was recorded and filmed across Lagos and Kampala. “It was time to collaborate,” he says of the Nigerian artiste, adding, “We are friends and meet at awards ceremonies all the time. [In the song] Burna Boy does Yoruba like he hasn’t been heard before. This one was for Port Harcourt.” Navio says that he plans to drop more videos off the album and is going to be working with Kenyan hot group: The Kansoul on “something hectic.”
Navio is undoubtedly one of Africa’s most important hip hop figures in the last decade. “I challenge my flow in hip hop. To be versatile, I am not afraid to experiment a lot. Being Uganda’s finest is pretty cool but you have a finest for each genre. Bebe Cool, Bobi Wine, Juliana and many others are the chosen in their genres,” he says. Dishing on how fast The Chosen was put together, I learn that Navio is not one to camp in the studio. “I don’t like being in the studio much so when I get in I try to do it right.” Throughout my time with Nav, his mind seems to function like an eagle with eyes forever cast on the next prey. He is always talking of projects we should do in the coming months – I respect his vision! He concludes, “A lot of my past collaborations have been commercial but The Chosen was done for people to know the status of Ugandan hip hop. It’s definitely one for the record books even though it has one or two commercial songs in there. The Chosen is a pivotal project in my career.”
BONUS: So thankful to Industry Nite for letting me co-produce the Feb edition that hosted Navio. I also thank all my media familia who hosted Nav during #TheChosenNairobi Tour. We had a ball and must do it again.